However, a positive thing to come from it was that you can make polyfiller from PVA and plaster. (Thanks, Chris.)
Chris making said plasterfiller.
So, I'm on with building the box for my installation. Ok, in truth, Chris is on with building it (complete with very fetching Bob the B overalls) and I am handing him the screws. I tried to suggest I drill/screw whilst he held the wood. But for some reason he wasn't having any of it.
Chris and the ever-patient Dave, having a very important conversation
It's all getting a bit busy on the top floor
My door, that will front my box
Against Guru Chris' best suggestions, I am going to put a couple more explanatory quotes in my box. He's a great lover of 'show not tell' (or is that just in literature?) Anyway, getting people to work things out for themselves with Art.
However, I'm a great fan of being told a bit more (proving me to be definitely more a communicator than an abstract artist). To be frank, Duncan suggested I look up Doris Salcedo's work. And I love the fact that her subterranean crevice, stretching the length of a Turbine Gallery in the Tate Modern, 'asks questions about the interaction of sculpture and space, about architecture and the values it enshrines, and about the shaky ideological foundations on which Western notions of modernity are built.'. But in truth, I'm far busier wondering whether this £300,000 work will cause any long-term structural damage to the foundations of the building.
I think the very nice man from IT failed to believe that I hadn't suspected something was wrong. Little does he know me...